🎬 Titanic (1997) – Full Details, Cast & IMDb Rating

📌 Category: Drama,Romance

⭐ IMDb Rating: 7.905 / 10 (from 25882 votes)

📅 Release Date: 1997-11-18

🎞 Status: Released

💰 Budget: $200000000

🗣 Available Languages: English,Français,Deutsch,svenska,Italiano,Pусский

🌍 Country: United States of America

🗣 Original Language: en

🏢 Production Companies: Paramount Pictures,20th Century Fox,Lightstorm Entertainment

🔗 IMDb URL: View on IMDb

🎥 Watch the Official Trailer

📖 Synopsis

101-year-old Rose DeWitt Bukater tells the story of her life aboard the Titanic, 84 years later. A young Rose boards the ship with her mother and fiancé. Meanwhile, Jack Dawson and Fabrizio De Rossi win third-class tickets aboard the ship. Rose tells the whole story from Titanic’s departure through to its death—on its first and last voyage—on April 15, 1912.

🎭 Cast & Characters

Jack Dawson: Leonardo DiCaprio
Rose DeWitt Bukater: Kate Winslet
Cal Hockley: Billy Zane
Molly Brown: Kathy Bates
Ruth DeWitt Bukater: Frances Fisher
Old Rose: Gloria Stuart
Thomas Andrews: Victor Garber
Brock Lovett: Bill Paxton
Edward Smith: Bernard Hill
Spicer Lovejoy: David Warner
Bruce Ismay: Jonathan Hyde
Lewis Bodine: Lewis Abernathy
Lizzy Calvert: Suzy Amis
Fabrizio De Rossi: Danny Nucci
Bobby Buell: Nicholas Cascone
Tommy Ryan: Jason Barry
Isidor Straus: Lew Palter
John Astor: Eric Braeden
First Officer Murdoch: Ewan Stewart
Archibald Gracie: Bernard Fox
Fifth Officer Lowe: Ioan Gruffudd
Second Officer Lightoller: Jonny Phillips
Sixth Officer Moody: Edward Fletcher
Frederick Fleet: Scott G. Anderson
Reginald Lee: Martin East
Jack Phillips: Gregory Cooke
Cora Cartmell: Alexandrea Owens
Three-Year-Old Boy: Seth Adkins
Benjamin Guggenheim: Michael Ensign
Anatoly Milkailavich: Anatoly M. Sagalevitch
Slovakian Father: Martin Hub
Chief Officer Wilde: Mark Lindsay Chapman
Quartermaster Rowe: Richard Graham
Quartermaster Hichens: Paul Brightwell
Harold Bride: Craig Kelly
Master at Arms: Ron Donachie
Madeleine Astor: Charlotte Chatton
Madame Aubert: Fannie Brett
Irish Mommy: Jenette Goldstein
Helga Dahl: Camilla Overbye Roos
Third Class Woman: Linda Kerns
Trudy Bolt: Amy Gaipa
Duff Gordon: Martin Jarvis
Lady Duff Gordon: Rosalind Ayres
Countess of Rothes: Rochelle Rose
Wallace Hartley: Jonathan Evans-Jones
Bert Cartmell: Rocky Taylor
Chief Baker Joughin: Liam Tuohy
Fourth Officer Boxhall: Simon Crane
Father Byles: James Lancaster
Ida Strauss: Elsa Raven
Irish Little Boy: Reece P. Thompson III
Irish Little Girl: Laramie Landis
Yaley: Mark Rafael Truitt
First Class Husband: John Walcutt
Chief Engineer Bell: Terry Forrestal
Leading Stoker Barrett: Derek Lea
John Hutchinson: Richard Ashton
Elevator Operator: Sean Nepita
Scotland Road Steward: Brendan Connolly
Crewman: David Cronnelly
First Class Waiter: Garth Wilton
Steward #1: Richard Fox
Steward #2: Nick Meaney
Steward #3: Kevin Owers
Steward #4: Mark Capri
Hold Steward #1: Marc Cass
Hold Steward #2: Paul Herbert
First Class Steward: Emmett James
Stairwell Steward: Chris Byrne
Steward Barnes: Oliver Page
Porter: James Garrett
Olaf Dahl: Erik Holland
Bjorn Gunderson: Jari Kinnunen
Olaus Gunderson: Anders Falk
Praying Man: Barry Dennen
Man in Water: Vern Urich
Mother at Stern: Rebecca Klingler
Woman: Tricia O’Neil
Woman in Water: Kathleen S. Dunn
Syrian Man: Romeo Francis
Syrian Woman: Mandana Marino
Chinese Man: Van Ling
Olaf: Bjørn Olsen
Sven: Dan Pettersson
Pubkeeper: Shay Duffin
Carpathia Steward: Greg Ellis
News Reporter: Diana Morgan
Dancer: Kris Andersson
Dancer: Bobbie Bates
Dancer: Aaron James Cash
Dancer: Anne Fletcher
Dancer: Edmond Alan Forsyth
Dancer: Andie Hicks
Dancer: Scott Hislop
Dancer: Stan Mazin
Dancer: Lisa Ratzin
Dancer: Julene Renee
Irish Man: Brian Walsh
First Class Woman (uncredited): Alexandra Boyd
Steerage Dancer (uncredited): James Cameron
Musician / Baker (uncredited): Mike Butters
Third Officer Pitman (uncredited): Kevin De La Noy
Deckhand (uncredited): Tony Kenny
Charles Hendrickson (uncredited): Sean Lawlor
Frederick Spedden (uncredited): Don Lynch
Rescue Boat Crewman (uncredited): Johnny Martin
First Class Passenger (uncredited): Meghan McLeod
Engine Room Crewman (uncredited): Steven Quale
Drowning Man (uncredited): R. Gern Trowbridge
Mary Marvin (uncredited): Olivia Rosewood
Ohio Man (uncredited): John Slade
Titanic Gym Instructor Thomas McCawley (uncredited): Brian McDermott
1st Class Passenger/ 3rd Class Passenger/ Stunts: Bret Aaron Knower
Promenade Deck Steward: Martin Laing
Mother at Stern: Rebecca Klinger

🎬 Crew & Production Team

Writer: James Cameron
Original Music Composer: James Horner
Director of Photography: Russell Carpenter
Editor: Conrad Buff IV
Editor: Richard A. Harris
Casting: Mali Finn
Production Design: Peter Lamont
Art Direction: Martin Laing
Set Decoration: Michael Ford
Costume Design: Deborah L. Scott
Co-Producer: Grant Hill
Producer: Jon Landau
Unit Production Manager: Sharon Mann
Unit Production Manager: Anna Roth
Post Production Supervisor: Lisa Dennis
Production Supervisor: Giedra Rackauskas
Casting Associate: Emily Schweber
Theme Song Performance: Céline Dion
Stunts: Janet Brady
Costume Supervisor: Sarah Touaibi
Costume Supervisor: Adolfo Ramírez
Stunts: Sandy Berumen
Stunts: Joni Avery
Stunts: Rick Avery
Stunts: Simone Boisseree
Stunts: Charlie Brewer
Stunts: Mike Avery
Stunts: John Casino
Stunts: Clarke Coleman
Stunts: Doc D. Charbonneau
Stunts: Leon Delaney
Stunts: Vince Deadrick Jr.
Stunts: Dane Farwell
Stunts: Dana Dru Evenson
Stunts: Troy Gilbert
Stunts: Lance Gilbert
Stunts: Chuck ‘Chaz’ Hosack
Stunts: Gary Guercio
Stunts: Mike Justus
Stunts: Marcia Holley
Stunts: Johnny Martin
Stunts: Dustin Meier
Stunts: Kurt D. Lott
Stunts: Michael Papajohn
Stunts: Julie Michaels
Stunts: Larry Rippenkroeger
Stunts: Diane Peterson
Stunts: Mic Rodgers
Stunts: Danny Rogers
Stunts: Lincoln Simonds
Stunts: Erik Stabenau
Stunts: Tim Trella
Stunts: Victoria Vanderkloot
Stunts: Lynn Salvatori
Stunts: Sarah Franzl
Stunts: Glen Yrigoyen
Stunts: Mario Roberts
Stunts: Jaroslav Peterka
Stunts: Cris Thomas-Palomino
Stunts: Dimo Lipitkovský
Stunts: Josh Kemble
Stunts: Kim Kahana Jr.
Stunts: Terry Jackson
Stunts: Matt Johnston
Stunts: Eunice Huthart
Stunts: Steve Griffin
Stunts: Terry Forrestal
Stunts: Paul Eliopoulos
Stunts: Bobby Burns
Stunts: Glenn Boswell
Stunts: Andy Bennett
Stunts: Noby Arden
Stunts: Lucy Allen
Stunts: Alejandro Avendano
Stunts: Terri Cadiente
Stunts: Joey Box
Stunts: Gerardo Albarrán
Stunts: Balo Bucio
Stunts: Richard Bradshaw
Stunts: Pavel Cajzl
Stunts: Marc Cass
Stunts: David Cronnelly
Stunts: Jamie Edgell
Stunts: Franklin Mark Henson
Stunts: Rusty Hanson
Stunts: Jan Holíček
Stunts: Paul Herbert
Stunts: Martin Hub
Stunts: Sy Holland
Stunts: Dusan Hyska
Stunts: Svetla Krasteva
Stunts: David Lištván
Stunts: Sean McCabe
Stunts: Mauricio Martínez
Stunts: Ray Nicholas
Stunts: Jim Palmer
Stunts: Kiran Shah
Stunts: Jimmy Corona Rooney
Stunts: Gábor Piroch
Stunts: Debbie Lee Carrington
Executive Producer: Rae Sanchini
Visual Effects Editor: Chris O’Connell
Compositors: Brian N. Bentley
Supervising Art Director: Charles Dwight Lee
Makeup Artist: Polly Earnshaw
Makeup Artist: Sian Grigg
Makeup Artist: Rebecca Lafford
Makeup Artist: Vincenzo Mastrantonio
Makeup Artist: Lisa McDevitt
Makeup Artist: Michael Mosher
Makeup Artist: Giulio Pezza
Set Dresser: John Bratton
Set Designer: Peter Francis
Set Designer: Dominic Masters
Set Designer: Marco Niro
Assistant Art Director: Héctor Romero
Art Direction: Bill Rea
Visual Effects Supervisor: Craig Barron
Visual Effects Supervisor: Mat Beck
Visual Effects: Thad Beier
Visual Effects Producer: Casey Cannon
Visual Effects Supervisor: Dave Carson
Visual Effects Producer: Camille Cellucci
Visual Effects Producer: Joyce Cox
Visual Effects Producer: Andrea D’Amico
Visual Effects Producer: Krystyna Demkowicz
Visual Effects: Jamie Dixon
Visual Effects Producer: Crystal Dowd
Visual Effects Supervisor: Richard E. Hollander
Visual Effects Supervisor: Ken Jones
Visual Effects Producer: Tom Kennedy
Visual Effects Producer: John Kilkenny
Visual Effects Supervisor: Robert Legato
Visual Effects Supervisor: Van Ling
Visual Effects: Rebecca Marie
Visual Effects: Fred Simon
Visual Effects Supervisor: Robert Skotak
Costume Supervisor: Tom Numbers
Musician: Armen Ksajikian
Still Photographer: Merie Weismiller Wallace
Steadicam Operator: Marcis Cole
Rigging Gaffer: Mike Amorelli
Music Supervisor: Randy Gerston
Music Editor: Joe E. Rand
Stunt Coordinator: Simon Crane
Co-Producer: Al Giddings
Associate Producer: Pamela Easley
Stunts: Steven Lambert
Driver: Brian Best
Stunts: George Fisher
Art Department Coordinator: Charlotte Harper
Art Department Coordinator: Amanda Sallybanks
Construction Coordinator: Tony Graysmark
Construction Coordinator: William Les Collins
Construction Coordinator: Scott MacFarlane
Casting Associate: Magui Jimenez
Casting Associate: Gemma Joffroy
Casting Associate: Rudy Joffroy
Casting Associate: Jesus Ignacio Santana
Assistant Costume Designer: Lahly Poore
Assistant Costume Designer: David Le Vey
Key Set Costumer: Ismael Jardon
Key Set Costumer: Murray Lantz
Key Set Costumer: Leigh Leverett
Key Set Costumer: Amy Arnold
Seamstress: Fabiola Perez Luna
Key Hair Stylist: Kay Georgiou
Key Hair Stylist: Simon Thompson
Key Hair Stylist: Annie Townsend
Key Makeup Artist: Tina Earnshaw
Key Makeup Artist: Laura Borselli
Makeup Effects: Greg Cannom
Additional Photography: Caleb Deschanel
Stunts: Denise Lynne Roberts
Stunts: Nancy Thurston
Stunts: Anita Hart
Stunts: Lisa Dempsey
Music: Will Jennings
Visual Effects: Michael Kanfer
Additional Photography: John Paszkiewicz
Camera Operator: Guy Norman Bee
Camera Operator: Guillermo Rosas
Camera Operator: Harald Ortenburger
Camera Operator: John Trapman
Camera Operator: Kurt E. Soderling
Camera Operator: Steve Koster
Steadicam Operator: J. Michael Muro
Second Unit Director of Photography: Roy Unger
Second Unit Director of Photography: Aaron Schneider
Second Unit Director of Photography: John M. Stephens
Gaffer: John Buckley
Gaffer: Mark Goodwin
Gaffer: Jim MacCammon
Gaffer: Scotty Allan
Pilot: Charles A. Tamburro
Rigging Gaffer: Todd Murchie
Script Supervisor: Shelley Crawford
Marine Coordinator: Richard Fraser
Marine Coordinator: Lance Julian
ADR Editor: Lee Lemont
ADR Editor: Cindy Marty
ADR Editor: Harriet Fidlow
ADR Editor: Richard Corwin
ADR Editor: Sue Fox
Boom Operator: Reynald Trudel
Foley: Robin Harlan
Foley: Sarah Monat
Foley Editor: Scott Curtis
Foley Editor: Tammy Fearing
Foley Editor: David Horton Jr.
Sound Effects Editor: Scott Guitteau
Sound Effects Editor: Chris Scarabosio
Sound Effects Editor: Ethan Van der Ryn
Sound Effects Editor: David C. Hughes
Sound Recordist: Joan Chamberlain
Sound Recordist: Ann Hadsell
Sound Recordist: Darren McQuade
Sound Recordist: Cary Stratton
Sound Re-Recording Mixer: Tom Johnson
Sound Re-Recording Mixer: Gary Rydstrom
Sound Re-Recording Mixer: Lora Hirschberg
Sound Re-Recording Mixer: Christopher Boyes
Sound Re-Recording Mixer: Gary Summers
Supervising ADR Editor: Hugh Waddell
Supervising Sound Editor: Tom Bellfort
Special Effects Supervisor: Donald Pennington
Special Effects Coordinator: Scott R. Fisher
Sound Mixer: Mark Ulano
Sound Designer: David Abrahamsen
Storyboard Designer: Rick Newsome
Stunts: Mark De Alessandro
First Assistant Camera: Mark R. Jackson
Stunts: Tim Rigby
Dialogue Editor: Claire Sanfilippo
Dialogue Editor: Gwendolyn Yates Whittle
Dialogue Editor: J.H. Arrufat
Dialogue Editor: Richard Quinn
Second Unit Director: Steven Quale
First Assistant Director: Josh McLaglen
Visual Effects: John Bruno
Stunts: John C. Meier
Stunts: Gary Powell
Stunts: Jo McLaren
Stunts: Jill Brown
Stunts: Annie Ellis
Assistant Hairstylist: Esperanza Gómez
Best Boy Electrician: Paul Bolton
Underwater Gaffer: J.P. Gabriel
Assistant Editor: Kevin Greutert
Stunts: Debbie Lynn Ross
Sound Recordist: Scott Levy

📊 Audience Reviews & Popularity

🔥 Popularity Score: 42.3313

John Chard: Beautiful Romance – Tragedy Unbound. It has kind of become the popular thing to kick Titanic, the film and its achievements. It’s like the love it garnered on release and the colossal waves it made in the history of cinema, never happened, or as some want you to believe, doesn’t matter. I can tell you now that many of my macho fuelled friends will privately, under the influence of liquid refreshments, admit to having affection for the film, but socially in a circle environment? Not a bit of it! I have no such problems admitting my love for the film, I love it as much now as I approach 50, as I did when I sat there in awe at the cinema in 1997. You jump – I jump. Titanic is far from flawless, where even now with the advancements in technology the effects over 15 years later look a touch creaky. While it’s true as well that away from Rose and Jack the characterisations are thin on the ground. But this is Rose and Jack’s story, fully fleshed out for an hour and half and then framed by the terrible tragedy that unfolds for the next hour and half. The tie-in to the present day is superbly constructed by James Cameron – the search for the diamond – the real life filming of the Titanic wreckage – and the flashback telling of the story by a delightful Gloria Stuart as old Rose, and the sinking of the ship and its aftermath is stunning and heart breaking in equal measure. Never let go. So may scenes and dialogue exchanges stay in the memory for ever. The band playing on, the captain awaiting his fate, the mother ushering her children to sleep before the sea comes to take them, the old boy drinking his brandy as the water rushes in, or just Jack and Rose, polar opposites in society’s class structure, making love, making art or just professing that neither will ever let go. It’s what makes Titanic the wonderful piece of cinema it is, where beauty and tragedy merge to create something forever memorable. A film that deserved all the accolades and cash till ringing that it once did have. 9/10
CinemaSerf: Set around the ill-fated maiden voyage of the RMS “Titanic”, this is essentially a film in two parts. The first, weaker, element features a young “Dawson” (Leonardo DiCaprio) who wins a third class ticket to New York on the soon to depart liner. Meantime, the wealthy but unhappy “Rose” (Kate Winslet) is up in the posh cabins with her cold and unfeeling fiancée “Hockley” (Billy Zane) and her equally unpleasant, venally ambitious mother “Ruth” (Frances Fisher). Desperately unhappy, “Rose” considers jumping off the prow of the boat, but luckily the charming young “Dawson” is on hand to talk her down, and so begins their friendship that causes much chagrin amongst her socially elite companions. That friendship culminates in him making a rather provocative drawing of her, the final straw for her boyfriend and his enforcer “Lovejoy” (David Warner). It all looks ominous for both until – part two begins. The ship, speeding along nicely under the command of Bernard Hill’s Captain Smith clips the underwater part of an iceberg and now history takes over. James Cameron offers us a purely speculative account of what might have happened as the initially incredulous crew start to realise that maybe it is not just Molly Brown (an excellent Kathy Bates) that’s unsinkable! What now ensues are a series of well staged scenarios depicting panic, fear, a fair degree of selfishness and some proper stiff upper lips as the ship has be evacuated and the segregation of the passengers and competencies of the crew start to become life threatening. The visual effects have dated, the smoke from the ship’s funnels blows in an strangely symmetrical fashion and the later scenes struggle to convince – but this is really a rather tragic love story with a strong chemistry between the engaging two characters at the top of the bill, and an effective performance from the older “Rose” (Gloria Stewart) who takes on the role of narrator 80 years after the disaster. I still find it uncomfortable to watch the actuality of the wreck, which features occasionally throughout the film – I feel like I am quite literally walking through someone’s grave; but it does lend a potent hook upon which this lengthy, but well thought out and constructed drama is presented. Criticisms have been made of it’s factual inaccuracies, and it may well play a bit fast and loose with some of the real characterisations – but it’s a drama, and to be enjoyed has to be appreciated in that sphere. Big screen is a must, it really does lose a great deal on a television.
Antoine53: Awesome
Nathan: Titanic is simply a masterpiece. This movie has it all. A tremendous score, deep emotion emphasized by fantastic performances, and incredibly gripping and high-stakes action. There is really something for everyone here. Before I continue my praise of the film, I think it has one glaring weakness: the present-day plot. For me, this just did not work all that well. I understand that it was implemented for the main story to have a more emotional impact, but it was not needed. It added almost thirty minutes to the runtime, which could have been used for more character development in the story or to have a more streamlined plot. Not to mention, the acting in this section was lackluster. That might be a hot take, but it was something that I noticed during my watch. Back to the positives. The score is magnificent here. The minute I finished the film, I had an urge to put on this score to be transported back to the Titanic. That does not happen very often to me. The performances are great all around. Leonardo DiCaprio and Kate Winslet’s chemistry was perfect. They played off each other so well and really sold this emphatic and rapid love the two shared. The movie spends a lot of time building their relationship and the payoff at the end is worth every second. Billy Zane was an over-the-top asshole, and even though it was cheesy at times, it worked for me. The other ancillary cast members did well, including Kathy Bates, Frances Fisher and Bill Paxton. This film is really two movies put into one and both of them work excellently. The first half is a charming and cute love story that spends a lot of time on character development, laying the background for motivations and personalities. While this half may have been my favorite, it is slightly outdone by the second half, which is a gripping and suspenseful survival action story. This section is brutal, showing large scale panic and hysteria while also having some incredibly horrific deaths. The chaos was infectious and very scary to watch. Both halves create a great sense of emotion in the audience and complement each other very well. Overall, this movie had twenty-five years of hype and critical acclaim to live up to, and I am happy to say it passed expectations. Since leaving the theater, I cannot stop thinking about it. Score: 96% | Verdict: Masterpiece On a side note: I did see this movie in 3D during the twenty-five-anniversary re-release. While it was great to see it remastered in 4K, I do think the 3D was poor and unneeded. This did not affect my grade however, since it was not originally designed as a 3D experience, and they 3D did not really take away for my enjoyment.
Prodank: Titanic was enjoyable initially, but the constant TV reruns got old fast. I don’t even own a TV anymore, and I’m in no hurry to watch it again. Still, it’s a good movie, deserving of a 7/10 rating.
RalphRahal: Titanic (1997), directed by James Cameron, is one of those films that never loses its impact, no matter how many times you watch it. Some might call it overrated, but it’s hard to deny the emotional weight and the sheer craftsmanship that went into making it. Rewatching it reminded me why it’s stood the test of time, it’s a great mix of story, performances, and technical execution. Leonardo DiCaprio and Kate Winslet deliver standout performances as Jack and Rose. Their chemistry is natural and believable, and it’s what drives the story forward. The drawing scene is iconic for many reasons, both on and off the screen. Interestingly, it wasn’t DiCaprio sketching Rose, it was actually James Cameron himself. Cameron, who’s also an artist, added a personal touch to the scene by creating the famous drawing. Behind the scenes, Winslet knew the scene could be awkward since it involved nudity and was one of their first together, so she flashed DiCaprio to help him relax. Even with that, he was nervous and flubbed his line, saying, “Lie on that bed… uh, couch” instead of just “couch.” The mistake stayed in the film, and it adds a little authenticity to the moment. Visually, Titanic is impressive on every level. The production design is meticulous. From the luxurious first-class interiors to the gritty third-class quarters, every set looks authentic and lived-in. The cinematography captures both the intimacy of Jack and Rose’s relationship and the overwhelming scale of the disaster. The sinking sequence is still one of the most intense and well-executed moments in film. Cameron used a mix of practical effects, real sets, and CGI to recreate the chaos, and it all blends seamlessly. The result is a scene that’s visually stunning and emotionally gripping. The final act ties everything together perfectly. Rose’s memories, paired with James Horner’s haunting score, deliver an emotional gut punch. That last shot is unforgettable and leaves you thinking long after the credits roll. Titanic isn’t just about a historical tragedy or a love story, it’s a film about human connection and the choices we make when everything’s on the line. Cameron’s attention to detail, paired with strong performances and excellent storytelling, makes this one of the most impactful films ever made. Overrated? Maybe. But it’s a benchmark in filmmaking for a reason.
ephraimk: This film is the perfect example of silly idea, immaculate execution. When you think about it, the film is really just a story about a woman who can’t get over an intimate and sad experience with a homeless guy on a boat, but the way it’s executed with the incredible performances by DiCaprio and Winslett really made it a legendary film. Reminds me of **_The Princess Bride_**, this film may be “dumb” but it’s definitely a movie that will be and has been praised for many years.

📺 Where to Watch Titanic?

🔹 Streaming on: https://www.paramountmovies.com/movies/titanic

💾 Available in: English,Français,Deutsch,svenska,Italiano,Pусский

🌟 Final Verdict: Should You Watch Titanic?

👉 If you enjoy Drama,Romance , *Titanic* is a must-watch.

👉 If you prefer deep storytelling, you might want to check out other options.

🔥 Our Rating: 3.5/5 – Watch for the action & visuals!

🏷 Tags: ,Drama,Romance

Titanic (1997)