🎬 Inception (2010) – Full Details, Cast & IMDb Rating

📌 Category: Action,Science Fiction,Adventure

⭐ IMDb Rating: 8.4 / 10 (from 37335 votes)

📅 Release Date: 2010-07-15

🎞 Status: Released

💰 Budget: $160000000

🗣 Available Languages: English,Français,日本語,Kiswahili

🌍 Country: United Kingdom,United States of America

🗣 Original Language: en

🏢 Production Companies: Legendary Pictures,Syncopy,Warner Bros. Pictures

🔗 IMDb URL: View on IMDb

🎥 Watch the Official Trailer

📖 Synopsis

Cobb, a skilled thief who commits corporate espionage by infiltrating the subconscious of his targets is offered a chance to regain his old life as payment for a task considered to be impossible: “inception”, the implantation of another person’s idea into a target’s subconscious.

🎭 Cast & Characters

• Dom Cobb: Leonardo DiCaprio
• Arthur: Joseph Gordon-Levitt
• Saito: Ken Watanabe
• Eames: Tom Hardy
• Ariadne: Elliot Page
• Yusuf: Dileep Rao
• Robert Fischer, Jr.: Cillian Murphy
• Peter Browning: Tom Berenger
• Mal Cobb: Marion Cotillard
• Maurice Fischer: Pete Postlethwaite
• Stephen Miles: Michael Caine
• Nash: Lukas Haas
• Blonde: Talulah Riley
• Japanese Security Guard: Tohoru Masamune
• Phillipa (5 years): Taylor Geare
• Phillipa (3 years): Claire Geare
• James (3 years): Johnathan Geare
• Saito’s Attendant: Yuji Okumoto
• Elderly Bald Man: Earl Cameron
• Lawyer: Ryan Hayward
• Flight Attendant: Miranda Nolan
• Cab Driver: Russ Fega
• Thin Man: Tim Kelleher
• Bridge Sub Con: Coralie Dedykere
• Bridge Sub Con: Silvie Laguna
• Bridge Sub Con: Virgile Bramly
• Bridge Sub Con: Nicolas Clerc
• Bridge Sub Con: Jean-Michel Dagory
• Lobby Sub Con: Marc Raducci
• Tadashi: Tai-Li Lee
• James (20 months): Magnus Nolan
• Penrose Sub Con: Helena Cullinan
• Penrose Sub Con: Mark Fleischmann
• Penrose Sub Con: Shelley Lang
• Bar Sub Con: Adam Cole
• Bar Sub Con: Jack Murray
• Bar Sub Con: Kraig Thornber
• Bar Sub Con: Angela Nathenson
• Bar Sub Con: Natasha Beaumont
• Lobby Sub Con: Carl Gilliard
• Lobby Sub Con: Jill Maddrell
• Lobby Sub Con: Alex Lombard
• Lobby Sub Con: Nicole Pulliam
• Fischer’s Jet Captain: Peter Basham
• Immigration Officer: Michael Gaston
• Businessman: Felix Scott
• Businessman: Andrew Pleavin
• Private Nurse: Lisa Reynolds
• Fischer’s Driver: Jason Tendell
• Old Cobb: Jack Gilroy
• Old Mal: Shannon Welles
• Bridge Sub Con: Daniel Girondeaud

🎬 Crew & Production Team

• Director: Christopher Nolan
• Producer: Emma Thomas
• Executive Producer: Thomas Tull
• Director of Photography: Wally Pfister
• Executive Producer: Chris Brigham
• Art Direction: Luke Freeborn
• Casting: John Papsidera
• Set Decoration: Larry Dias
• Production Design: Guy Hendrix Dyas
• Set Decoration: Douglas A. Mowat
• Art Direction: Dean Wolcott
• Editor: Lee Smith
• Stunt Driver: Marie Fink
• Stunt Double: Jodi Stecyk
• Stunts: Doug Chapman
• Stunts: Duffy Gaver
• Original Music Composer: Hans Zimmer
• Orchestrator: Kevin Kaska
• Stunts: Terry Leonard
• Stunt Double: Allison Caetano
• Stunt Double: Stephen Izzi
• Stunts: Ruth Jenkins
• Stunts: Daniel Girondeaud
• Stunts: Logan Holladay
• Stunts: Dave Hospes
• Stunts: Jason Glass
• Stunt Driver: Adam Hart
• Stunt Driver: Shane Brewer
• Stunt Driver: Terra Grant
• Stunt Driver: Jim Wilkey
• Stunt Driver: Gunter Simon
• Stunt Double: Mark Fichera
• Stunts: Guy Bews
• Stunts: Richard Bucher
• Stunts: Mens-Sana Tamakloe
• Stunts: Maurice Lee
• Stunt Double: Andy Pilgrim
• Stunts: Harry Wowchuk
• Stunt Double: Marny Eng
• Stunt Double: Danny Le Boyer
• Stunts: Garvin Cross
• Stunt Driver: Richard Burden
• Stunts: Tony Lazzara
• Stunts: Duane Dickinson
• Stunt Double: Andy Bradshaw
• Stunt Double: Tracey Ruggiero
• Stunt Driver: Wade Eastwood
• Stunt Double: Jake De Witt
• Stunts: Chris Webb
• Stunts: Noureddine Hajoujou
• Stunt Driver: Dean Bailey
• Stunt Driver: Chrissy Weathersby Ball
• Stunt Driver: Steve Griffin
• Utility Stunts: John Stoneham Jr.
• Stunts: Paul Sklar
• Stunt Double: Mike Ching
• Stunts: Philip Tan
• Stunts: Audrey Ottaviano
• Stunt Driver: Brandon Sebek
• Stunts: Jon Kralt
• Stunts: Gary Hoptrough
• Stunts: Simon Rhee
• Stunt Coordinator: Scotty Richards
• Stunts: James Lew
• Stunts: Gérard Lesage
• Stunts: Mark Rayner
• Stunt Driver: Luke Kearney
• Stunts: Alexandre Ottoveggio
• Stunts: Philippe Losson
• Stunts: Roel Failma
• Stunts: Brent Connolly
• Stunts: Chad Cosgrave
• Stunts: Rex Reddick
• Stunts: Jess King
• Stunts: John Street
• Stunts: Michael Li
• Stunts: Monia Moula
• Stunts: Lin Oeding
• Stunts: David McKeown
• Stunts: Marvin Campbell
• Stunts: Mark Chavarria
• Stunts: Yannick Ben
• Stunts: Tom Cohan
• Stunts: Tarik Belmekki
• Stunt Driver: Melissa R. Stubbs
• Stunts: Eliza Coleman
• Sound Mixer: Ed Novick
• Visual Effects Supervisor: Peter Bebb
• Sound Re-Recording Mixer: Lora Hirschberg
• Special Effects Supervisor: Chris Corbould
• Sound Re-Recording Mixer: Gary Rizzo
• Visual Effects Supervisor: Andrew Lockley
• Visual Effects Supervisor: Paul J. Franklin
• Sound Designer: Richard King
• Special Effects Technician: Nigel Sinclair
• Assistant Editor: Scott Wesley Ross
• Additional Hairstylist: Teressa Hill
• ADR Editor: R.J. Kizer
• Aerial Camera Technician: Dane Bjerno
• Armorer: Craig Myers
• Art Direction: Bill Ives
• Art Department Coordinator: Jennifer Lewicki
• Costume Design: Jeffrey Kurland
• Armorer: Otniel Gonzalez
• Assistant Accountant: Hellen Marin
• Assistant Director: Kevin Frilet
• Assistant Editor: Christy Richmond
• Assistant Property Master: Erick Garibay
• Additional Sound Re-Recording Mixer: Michael Babcock
• Art Direction: Andy Thomson
• Assistant Art Director: Matt Sims
• Assistant Camera: Alan Hall
• Best Boy Electric: Manuel Gaspar
• Best Boy Grip: Andy Hopkins
• Carpenter: Alan Neighbour
• Stand In: Richard Wulf
• Additional Camera: Nick Infield
• ADR & Dubbing: Peres Owino
• Pilot: Frédéric North
• Assistant Art Director: Abdellah Baadil
• Concept Artist: Robert McKinnon
• Additional Production Assistant: Michael David Lynch
• Assistant Accountant: Lena Schmigalla
• Assistant Art Director: Chris Kitisakkul
• Production Assistant: Mohammed Hamza Regragui
• Supervising Art Director: Brad Ricker
• Thanks: Diego Stocco
• Aerial Director of Photography: Hans Bjerno
• Armorer: Dave Evans
• ADR Mixer: Thomas J. O’Connell
• Aerial Coordinator: Simon O’Connell
• Additional Grip: Michael Duarte
• Armorer: Joss Skottowe
• Art Direction: Jason Knox-Johnston
• Additional Production Assistant: Chris Hall
• Additional Production Assistant: Roger Mohn
• Assistant Art Director: Rachid Quiat
• Assistant Editor: Donald Likovich
• Assistant Production Coordinator: Cheryl Brauer
• Art Department Coordinator: Charlotte Raybourn
• Assistant Camera: Daniel C. McFadden
• Assistant Costume Designer: Terry Anderson
• Assistant Costume Designer: John Norster
• Assistant Production Coordinator: Fred Millet
• Actor’s Assistant: Jason Irizarry
• Actor’s Assistant: Satch Watanabe
• Boom Operator: Christopher Atkinson
• “B” Camera Operator: Brooks Robinson
• Carpenter: Josh O’Neill
• Co-Producer: Jordan Goldberg
• Foley Editor: Bruce Tanis
• Grip: Hassan Hajhouj
• Grip: Arthur Ehret
• Hairdresser: Darlene Forrester
• Additional Production Assistant: James Babiarz
• Additional Production Assistant: Matthew Switzer
• ADR & Dubbing: Hélène Cardona
• Pilot: Craig Hosking
• Assistant Accountant: Fiona May McLaren
• Producer’s Assistant: Aya Tanimura
• Best Boy Grip: Walter Byrnes
• Camera Operator: Greg Baldi
• Camera Operator: Roger McDonald
• Catering: Robert Lamkin
• Costumer: Shelli Nishino
• Electrician: Wailoon Chung
• Art Direction: Paul Laugier
• Assistant Accountant: Kelly Johnson-Beaven
• Assistant Chief Lighting Technician: Larry Sushinski
• Actor’s Assistant: Mardie Anderson
• Chef: Michael Prokop
• Chief Lighting Technician: Cory Geryak
• Concept Artist: Nathaniel West
• Construction Buyer: Dawn-Anne Coulson
• Costume Supervisor: Ken Crouch
• Costumer: Maureen O’Heron
• Driver: Alice Cordie
• Driver: Andrew Thurlbourne
• Driver: Chuck Martinez
• Electrician: Paul Jarvis
• Additional Production Assistant: Kit Conners
• Additional Production Assistant: Lindsay Heller
• Additional Production Assistant: Mishi Reyes
• Art Department Assistant: Clinton Wade Childress
• Assistant Property Master: Glenn Forbes
• Producer’s Assistant: Derek Thornton
• Camera Loader: Michelle Ortt
• First Assistant Sound Editor: Andrew Bock
• First Assistant Sound Editor: Linda Yeaney
• Grip: Pierre-Loup Corvez
• Grip: John Curran
• Assistant Accountant: Kyla McFeat
• Assistant Director: Tetsuo Funabashi
• Assistant Editor: Paula Suhy
• Assistant Production Coordinator: Hallam Rice-Edwards
• Conductor: Matt Dunkley
• Driver: Danny Bress
• Driver: Jamie Barham
• Electrician: Steve Charnow
• Electrician: Adam Lee
• Electrician: William Lehnhart
• Grip: Shaun Sangkarat
• Key Grip: Ray Garcia
• Key Hair Stylist: Terry Baliel
• Key Makeup Artist: Jay Wejebe
• Actor’s Assistant: Carrie Gooch
• Color Timer: Jeff Smithwick
• Additional Music: Lorne Balfe
• Costume Illustrator: Phillip Boutte Jr.
• Costumer: Cookie Lopez
• Draughtsman: Matt Wynne
• Driver: Robert E. Dingle
• Driver: Chris Morse
• First Assistant “A” Camera: Bob Hall
• Gaffer: Brahim Amarak
• Graphic Designer: Zachary Fannin
• Grip: Benjamin Vial
• Assistant Editor: Katie Hedrich
• Assistant Editor: Ben Renton
• Assistant Production Coordinator: Bouchra Bentayeb
• Color Timer: David Orr
• Construction Coordinator: Malcolm Roberts
• Costumer: François-Louis Delfolie
• Dialogue Editor: Hugo Weng
• Driver: Kevin Caira
• Driver: Bruce Toy
• First Assistant Accountant: Barbara Unrau
• Foley Supervisor: Christopher Flick
• Grip: Mark Wojciechowski
• Key Hair Stylist: Sharon O’Brien
• Assistant Chef: Ian Zweig
• Assistant Chief Lighting Technician: Mike Gould
• Assistant Production Coordinator: Bryan Davis
• Actor’s Assistant: Kevin Proctor
• Boom Operator: Brian Robinson
• Carpenter: Tony Marks
• Construction Coordinator: Jonas Kirk
• Costume Assistant: Caroline Hickman
• Costumer: Jessie Mann
• Foley Artist: Alyson Dee Moore
• Gaffer: Martin Keough
• Key Grip: Ryan Monro
• Assistant Camera: Yasushi Miyata
• Assistant Property Master: Darryl Paterson
• Actor’s Assistant: Tommaso Colognese
• Producer’s Assistant: Stacy Kelly
• Camera Technician: Brannon D. Brown
• Costume Assistant: Othmane Ajana
• Driver: Alexandre Thiery
• Electrician: Victor Abadia
• Electrician: Thami Lahrach
• First Assistant Accountant: Samantha Nottingham
• First Assistant Camera: Hugues Espinasse
• Graphic Designer: William Eliscu
• Key Production Assistant: Jonathan Fox
• Dialect Coach: Francie Brown
• Driver: Charles Miambanzila
• Driver: Kaiser Clark
• Electrician: Damien Jousselin
• First Assistant Accountant: Becky Maxwell
• First Assistant “B” Camera: Clive Mackey
• Hair Department Head: Janice Alexander
• Driver: Ryan Allen
• Driver: Chad Wadsworth
• Driver: Terry Woodcock
• Grip: Adam Camacho
• Assistant Editor: Alexis Seymour
• Associate Producer: Thomas Hayslip
• Camera Operator: Kevin McGill
• Costumer: Jennifer Nunez
• Electrician: Adil Arbouch
• Electrician: Matthew Butler
• Electrician: Abderrahim Bissar
• First Assistant Editor: Eric A. Lewy
• Focus Puller: Zakaria Badreddine
• Foley Artist: John Roesch
• Grip: Tony Sommo
• Grip: Trevor Steeves
• Construction Foreman: Henry Stuart John
• Costume Assistant: Sarah Monfort
• Costumer: Nina Padovano
• Costumer: Cheri Reed
• Hairstylist: Fulvio Pozzobon
• Assistant Property Master: Amin Rharda
• “B” Camera Operator: Graham Hall
• Camera Trainee: Jonathan England
• Costume Supervisor: Bob Morgan
• Driver: Alexander Aben
• Grip: Charles Ehrlinger
• Key Grip: Cyril Kuhnholtz
• Carpenter: John Whitby
• Costume Coordinator: Sarah Robinson
• Costume Set Supervisor: Jeffrey Fayle
• Costumer: Christine Hawes
• Driver: Cammie Caira
• Electrician: Brian Scotti
• First Assistant Director: Ahmed Hatimi
• First Assistant Editor: Laura Rindner
• Hairstylist: Kathryn Blondell
• Assistant Unit Manager: Benoit Hemard
• Concept Artist: Paul Christopher
• Construction Manager: Robert Voysey
• Costume Assistant: Warren Haigh
• Costume Illustrator: Jamie Rama
• Costume Supervisor: Frances Sweeney
• Costumer: Kurt J. Blackwell
• Costumer: Pablo Borges
• Driver: Denis Gilmore
• Driver: Olivier Suffert
• First Assistant Director: Nilo Otero
• Grip: David Draper
• Grip: Matt Perry
• Grip: Paul Wilkowsky
• Hairstylist: Estelle Tolstoukine
• Electrician: Antonin Drigeard
• First Assistant Accountant: Carlo Pratto
• First Assistant Accountant: Anthea Strangis
• Gaffer: Jean-François Drigeard
• Gaffer: Andy Long
• Key Costumer: Sonny Merritt
• Key Costumer: Laurence Caines
• Hairstylist: Sasha McLaughlin
• Key Set Production Assistant: Zack Smith
• Lighting Technician: Eugene Grobler
• Lighting Technician: Ryan Huston
• Makeup Artist: Sian Grigg
• Picture Car Coordinator: Tyler W. Gaisford
• Post Production Accountant: Nolan B. Medrano
• Production Accountant: Myriam Loukili
• Production Assistant: Crystal Munson
• Production Assistant: Alexandra Pursglove
• Production Coordinator: Kim Goddard-Rains
• Propmaker: Mark Bialuski
• Props: Karim Elamri
• Second Assistant Camera: Ben Perry
• Second Assistant Director: Tracey Poirier
• Set Costumer: Kelly Porter
• Set Dresser: Rich Andrade
• Lighting Technician: Dara Norman
• Line Producer: Zakaria Alaoui
• Marine Coordinator: Daniel F. Malone
• Painter: Ben Woodworth
• Production Assistant: Tony Fang
• Production Assistant: Aurélie Maerten
• Production Manager: Michael Murray
• Production Manager: Gilles Castera
• Props: Ashlie Jump
• Second Assistant Accountant: Richard S. Wilson
• Second Assistant Director: William D. Robinson
• Second Second Assistant Director: Gregory J. Pawlik Jr.
• Set Dresser: Gregory Byrne
• Set Production Assistant: Omar Benbrahim
• Set Production Assistant: Emma Moffat
• Set Production Assistant: Tien Nguyen
• Special Effects Technician: Chris Grondin
• Post Production Assistant: Steven Cuellar
• Production Assistant: C.J. Izzo
• Production Assistant: Jordan Londe
• Production Assistant: Joel Tobman
• Rigging Gaffer: Charlie McIntyre
• Script Supervisor: Steve Gehrke
• Set Designer: Aric Cheng
• Set Dresser: Thibaut Peschard
• Special Effects Coordinator: Scott R. Fisher
• Special Effects Technician: Mark Stanton
• Special Effects Technician: Eric Vrba
• Standby Art Director: Matthew Gray
• Stand In: Rio Ahn
• Stand In: Fabrizia Dal Farra
• Lighting Technician: Jeff Chassler
• Production Assistant: Ron Landry
• Production Assistant: Troy Proffitt
• Production Assistant: Jamie Reiff
• Production Assistant: Kim Bailey
• Production Controller: Helen Medrano
• Production Coordinator: Jennifer Webb
• Second Assistant Camera: Carrie Wilson
• Set Costumer: Sean Haley
• Sound Effects Editor: Michael W. Mitchell
• Special Effects: Tom Goodman
• Special Effects Assistant: Jeremy Maupin
• Special Effects Assistant: Maurice Routly
• Supervising Art Director: Frank Walsh
• Sculptor: J. Bryan Holloway
• Musician: Rachel Bolt
• Production Coordinator: Michelle Wraight
• Production Manager: Barbara Russo
• Set Costumer: Caroline Delaney
• Set Decoration: Hélène Dubreuil
• Set Dresser: Lahcen Elyazidi
• Set Dresser: Antonio Nogueira
• Set Medic: Jason Inman
• Set Production Assistant: Amy Venghaus
• Sound: Nourdine Zaoui
• Sound Mixer: Steve R. Nelson
• Sound Recordist: Karym Ronda
• Special Effects Technician: Jim Rollins
• Standby Carpenter: Garry Moore
• Musician: Bruce White
• Painter: David Carberry
• Painter: Samuel Pactol
• Post Production Supervisor: David E. Hall
• Production Assistant: Rey Boemi
• Production Assistant: Robert Hoehn
• Production Assistant: Ben Vokes
• Production Assistant: Adela Tirado
• Production Assistant: Darius de Andrade
• Production Controller: Frédéric Greene
• Production Secretary: Morgan Ahlborn
• Property Master: Scott Maginnis
• Sculptor: Sarena Bhargava
• Second Assistant Camera: Grégori Gajéro
• Set Costumer: Heather Moore
• Set Production Assistant: Erin Stern
• Set Runner: James Starr
• Special Effects Assistant: Pete Britten
• Special Effects Coordinator: Lynne Corbould
• Musician: Roger Linley
• Production Assistant: Derick Green
• Production Assistant: Alexander Hamilton Westmore
• Production Assistant: Tucker Maloney
• Production Coordinator: Hollie Foster
• Propmaker: John Giuliano
• Rigging Grip: Laurent Martin
• Set Decoration Buyer: Helen Kozora
• Set Decoration: Lisa Chugg
• Set Production Assistant: Kyle Photo Bucher
• Set Production Assistant: Olivia McCallum
• Sound Effects Editor: Paul Berolzheimer
• Special Effects: Paul Harford
• Special Effects Technician: Kelly Coe
• Special Effects Technician: Jody Eltham
• Line Producer: John Bernard
• Medical Consultant: Carlton Jarvis
• Production Assistant: Josh Elwell
• Production Coordinator: Khadja Koulla
• Production Driver: Tim McGaughy
• Props: Francois Poublan
• Pyrotechnician: Michael Kay
• Second Assistant Accountant: Tara Howie
• Second Assistant Camera: Luke Towers
• Second Assistant Director: Paula Turnbull
• Set Designer: Jim Barr
• Set Production Assistant: Kelly Lane
• Set Production Assistant: Prashant Roy
• Stand In: Alex Richard
• Musician: Mark Berrow
• Makeup Department Head: Luisa Abel
• Producer: Kanjirô Sakura
• Production Assistant: Valeria Bullo
• Production Assistant: Jeff Feuerhaken
• Production Assistant: Paul Michael Saldaña
• Production Manager: Jan Foster
• Production Supervisor: Elona Tsou
• Props: Matthew Broderick
• Props: Thomas Jones
• Set Designer: Robert Fechtman
• Set Dresser: Brett C. Smith
• Set Medic: Emily O’Banion
• Special Effects Technician: Hanin Ouidder
• Special Effects Technician: Michael Rifkin
• Makeup Artist: Maggie Elliott
• Military Consultant: RJ Casey
• Picture Car Coordinator: Charles Heidet
• Post Production Assistant: Bobbie Shay
• Post Production Coordinator: Hailey Murray
• Production Assistant: Colter Freeman
• Production Assistant: Ryley Huston
• Production Assistant: Pollyanna Seath
• Production Coordinator: Katherine Tibbetts
• Production Coordinator: Brian Kobo
• Propmaker: Cesar Orozco
• Second Assistant “B” Camera: Dan Schroer
• Second Assistant Director: Richard Graysmark
• Musician: Tina Guo
• Music Editor: Ryan Rubin
• Producer: Yoshikuni Taki
• Production Assistant: Saad Ajedigue
• Production Assistant: Mustapha Bentayeb
• Production Assistant: Evan Godfrey
• Production Manager: Sam Breckman
• Prop Maker: Michael Pennington
• Rigging Gaffer: Ian Franklin
• Rigging Grip: Don Telles
• Score Engineer: Chuck Choi
• Second Assistant Director: Yann Mari Faget
• Lighting Technician: Christopher Franey
• Lighting Technician: Landin Walsh
• Musician: Yasmeen Al-Mazeedi
• Musician: Satnam Ramgotra
• Musician: Jonathan Williams
• Modeling: Nicholas Hiegel
• Scoring Mixer: Alan Meyerson
• Payroll Accountant: Joe Downs
• Post Production Assistant: Jeff Winkle
• Production Assistant: Khalid Guouram
• Propmaker: Sophie Tarver
• Props: Gregor Telfer
• Second Second Assistant Director: Tarik Ait Ben Ali
• Set Costumer: Ciara McArdle
• Set Production Assistant: Mandy Noack
• Special Effects: Robert Cole
• Special Effects Assistant: Amanda Paller
• Unit Manager: Richard Berkeley
• Musician: James Thatcher
• Post Production Coordinator: Daniel Paress
• Production Assistant: Timothy Farmer
• Production Assistant: Alanna Hanson
• Production Assistant: Mark McSorley
• Production Secretary: Helen Christine Dwyer
• Second Assistant Camera: Allison Shok
• Second Assistant Director: Brandon Lambdin
• Set Dresser: Steven Kajorinne
• Set Production Assistant: Sam Alvelo
• Set Production Assistant: Sean Ip Fung Chun
• Sound Effects Editor: Bryan O. Watkins
• Special Effects: Jason McCameron
• Special Effects Technician: Ryan Amborn
• Special Effects Technician: Robert L. Slater
• Stand In: Caroline Fife
• Transportation Coordinator: Maxime Couteret
• Lighting Technician: Gabriel J. Lewis
• Musician: Steve Mair
• Modeling: Adam Mull
• Production Assistant: Steve Rosolio
• Production Assistant: Kohl V. Bladen
• Production Assistant: Glenn Ferrara
• Props: Tiara Motem
• Second Assistant Camera: Eric Yu
• Set Costumer: David Fernandez
• Set Costumer: Philip Goldsworthy
• Set Costumer: Nancy Thompson
• Set Decoration: Paul Healy
• Set Production Assistant: Jayson Chang
• Set Production Assistant: Jeff Hubbard
• Special Effects Technician: Leo Leoncio Solis
• Standby Painter: Carmine Goglia
• Lighting Technician: Steve Zvorsky
• Makeup Artist: Aya Yabuuchi
• Modeling: Adam Gelbart
• Painter: Rossana De Cicco
• Picture Car Coordinator: Mounir Badia
• Production Coordinator: Sarah Spearing
• Second Assistant Accountant: Linda Griffis
• Set Costumer: Elizabeth Frank
• Set Dresser: Pete Washburn
• Special Effects Technician: John J. Downey
• Supervising Music Editor: Alex Gibson
• Leadman: Scott Bobbitt
• Musician: Johnny Marr
• Makeup Artist: Sonia Akouz
• Sound Mix Technician: Scott R. Lewis
• Negative Cutter: Mary Beth Smith
• Orchestrator: Bruce Fowler
• Production Assistant: Lauren Fash
• Production Assistant: Alex Loubert
• Production Coordinator: Agnes Bermejo
• Property Master: Shelly Goldsack
• Rigging Grip: Scott Patten
• Rigging Grip: Sylvain Bardoux
• Set Production Assistant: Nino Aldi
• Special Effects Technician: Christopher A. Suarez
• Special Effects Technician: Clark Templeman
• CG Supervisor: Philippe Leprince
• Compositor: Per Mørk-Jensen
• Digital Compositor: Kirsty Clark
• Digital Compositor: Giuseppe Tagliavini
• Rotoscoping Artist: Renaud Madeline
• Visual Effects Coordinator: Ali Ingham
• Visual Effects Technical Director: Muhittin Bilginer
• Transportation Captain: Steve Bridgen
• Transportation Coordinator: Ali Bakkioui
• Compositor: Matthew Jacques
• Rotoscoping Artist: Prateek Kaushal
• Rotoscoping Artist: Enrik Pavdeja
• Rotoscoping Artist: Ellen E. Miki
• CG Supervisor: Aleksandar Pejic
• Compositor: Ben Hicks
• Digital Compositor: Romain Bouvard
• Digital Compositor: Ami Patel
• Visual Effects: Adam Hammond
• Visual Effects: Kim Wiseman
• Digital Compositor: Nik Brownlee
• Digital Compositor: Thomas Luff
• Matte Painter: Diccon Alexander
• Production Manager: E.M. Bowen
• Rotoscoping Artist: Arun Sharma
• Rotoscoping Artist: Kevin Norris
• Rotoscoping Artist: Yousaf Main
• Visual Effects: Roy Goode
• Visual Effects Art Director: Gurel Mehmet
• Visual Effects Coordinator: Katy Mummery
• Visual Effects: Richard King Slifka
• Storyboard Artist: Gabriel Hardman
• Third Assistant Director: Jody Ryan
• Third Assistant Director: Brian Sepanzyk
• Compositor: Charlie Noble
• Compositor: Richard Bain
• Compositor: Helgi Laxdal
• Visual Effects: Shannon Blake Gans
• Travel Coordinator: Carrie Oyer
• Unit Manager: Kevin Jenkins
• CG Supervisor: Dan Neal
• Sequence Supervisor: Astrid Busser-Casas
• Digital Colorist: Andrea Pirisi
• Digital Compositor: Daniel Rauchwerger
• Rotoscoping Artist: Sherin Varghese
• Rotoscoping Artist: Yoav Dolev
• VFX Artist: Erik Tvedt
• Visual Effects Editor: Derrick Mitchell
• Visual Effects Technical Director: David Hyde
• Compositor: Oscar Tornincasa
• Compositor: Bimla Chall
• VFX Artist: Joe Thornley
• Modeling: Marcelo M. Santos
• Visual Effects Producer: Mike Chambers
• Visual Effects Technical Director: Jean Claude Nouchy
• Visual Effects: John P. Cazin
• Third Assistant Director: Sarah Hood
• CG Supervisor: Alison Wortman
• Digital Compositor: John J. Galloway
• Modeling: Noah DePietro
• VFX Director of Photography: Mark H. Weingartner
• Standby Rigger: David Gray
• Storyboard Artist: Houman Eshraghi
• Transportation Captain: Khalid Ameskane
• Visual Effects: Stewart Ash
• Animation: Dorian Knapp
• CG Supervisor: Stuart Farley
• Compositor: Bronwyn Edwards
• Digital Compositor: Annie V. Wong
• Modeling: Dave Horowitz
• Rotoscoping Artist: Daniel Leatherdale
• Rotoscoping Artist: Luke Bigley
• Rotoscoping Artist: Lester Brown
• Visual Effects: Sourajit Bhattacharya
• VFX Artist: Mahesh Kumar
• Set Production Assistant: Heather Kehayas
• Special Effects Technician: Thomas R. Homsher
• Stand In: Brian Kruse
• Stand In: Michael James Faradie
• Third Assistant Director: Mohamed Essaghir Aabach
• Unit Publicist: Amanda Brand
• Matte Painter: Simon Gustafsson
• Rotoscoping Artist: Tara Roseblade
• Rotoscoping Artist: Mary Stroumpouli
• Visual Effects Production Assistant: Kieran Ahern
• Set Production Assistant: Gerson Paz
• Special Effects Coordinator: Jason Paradis
• Special Effects Technician: Simon Quinn
• Still Photographer: Melissa Moseley
• Unit Production Manager: Mark Mostyn
• Video Assist Operator: Stephen Lee
• Digital Compositor: Carlo Scaduto
• Digital Compositor: Peter Vickery
• VFX Supervisor: Nicola Hoyle
• Visual Effects: Paul Brannan
• Visual Effects Editor: Steve Miller
• Visual Effects Producer: Matthew Plummer
• Stand In: Raymond Yu
• Transportation Coordinator: Steven Brigden
• Unit Manager: Kevin Westley
• Wardrobe Supervisor: Patricia Colin
• 2D Artist: Wesley Roberts
• Compositor: Sonny Pye
• Visual Effects: Miodrag Colombo
• Digital Compositor: Debra Coleman
• Rotoscoping Artist: Stephen Tew
• Modeling: Enrico Altmann
• VFX Artist: Terry Marriott
• Visual Effects Production Assistant: Curtis Michael Davey
• Visual Effects Production Assistant: Matthew Eberle
• Visual Effects: Ian Hunter
• Visual Effects: Scott Schneider
• Visual Effects: Brandon Seifert
• Visual Effects: Forest P. Fischer
• Compositor: Mark Payne
• Modeling: Steve Newburn
• Rotoscoping Artist: Christopher Jaques
• VFX Artist: George Plakides
• Visual Effects Coordinator: Michelle Kuginis
• Visual Effects Supervisor: Rob Hodgson
• Underwater Director of Photography: Pete Romano
• Compositor: Sharon Warmington
• Digital Compositor: Jeremy Hey
• Modeling: Paula Schneider
• Rotoscoping Artist: Kamelia Chabane
• VFX Artist: Dominic Carus
• VFX Artist: Sotiris Georghiou
• Visual Effects Coordinator: Paula Diane Lopez
• Visual Effects Production Assistant: Shunsuke Tsuchiya
• Swing: Nicolas Brechat
• Third Assistant Director: Gordon Piper
• Transportation Coordinator: Denny Caira
• Unit Production Manager: Shuhei Okabayashi
• CG Supervisor: Phillip Johnson
• Compositor: Susanne Becker
• Compositor: Alice Mitchell
• Compositor: Helen Wood
• Digital Compositor: James McPherson
• Modeling: Kayte Sabicer
• Rotoscoping Artist: Samual Dawes
• VFX Artist: Paul Boyd
• Visual Effects Assistant Editor: Steve Rhee
• Visual Effects Coordinator: Llyr Tobias Johansen
• Set Production Assistant: Adam Slutsky
• Special Effects: Alexander Fabre
• Unit Production Manager: Brian Leslie Parker
• Compositor: Chandan Singh
• Compositor: Scott Marriott
• Digital Compositor: Graham Day
• Digital Compositor: Andi Dorfan
• Rotoscoping Artist: Edward Andrews
• Visual Effects: Alexandre Millet
• Matchmove Supervisor: Daniel Baldwin
• Matte Painter: Philippe Gaulier
• Visual Effects Coordinator: Peter Olliff
• Visual Effects Editor: Leanne Young
• Executive Visual Effects Producer: Anne Putnam Kolbe
• Visual Effects: Robert Spurlock
• Stand In: David A. Burt
• Third Assistant Director: Lorie Gibson
• Transportation Captain: Todd W. Nobles
• Ultimate Arm Operator: Sky Rockit
• Unit Manager: David Campbell-Bell
• Wardrobe Assistant: Essouci Zakia
• CG Supervisor: Vanessa Gratton
• Compositor: Ciaran Crowley
• Compositor: Dan Churchill
• Data Wrangler: Joe Wehmeyer
• Matte Painter: Dimitri Delacovias
• Modeling: Emily Kwong
• Rotoscoping Artist: Luke Ballard
• Rotoscoping Artist: Charlie H. Ellis
• Visual Effects: Scott Beverly
• Visual Effects: David Sanger
• Stunts: Diana R. Lupo
• Stunts: George Cottle
• Digital Compositor: Jörg Baier
• Additional Editor: John Lee
• Second Assistant Camera: Jessica Ward
• Stunt Coordinator: Tom Struthers
• BTS Footage: Roger Williams
• Producer: Luke Mendes

📊 Audience Reviews & Popularity

🔥 Popularity Score: 28.8053

• ohlalipop: When I first saw the trailer for this film, I knew that this would attract a lot of attention. Of course having Leonardo in the lead role helped a lot. From the trailer, I already know some things. Dreams. All about dreams. But what about dreams? Who are the other people? At first, I didn’t really understand what was going on. It was all very confusing to me. But as the movie progresses, I start to understand it and I wanted to watch some more and know more what will happen in the end. The ending. That was, I think, the most intense ending of a movie in a year or probably more than a year. People actually screamed when the screen faded. And of course, people couldn’t help but talk about it. It was an open-ended movie where people will have their own endings. My favorite part was Joseph Gordon’s fight scene. I think he has the most fun part in this movie. My rate for this movie is A.
• tmdb44006625: Whether you watch Inception as a heist movie, a redemption story, or a sci-fi action picture, Christopher Nolan’s tour de force of dreams will absolutely work its magic over you. The fact that the film works on so many levels (literally) is an attest not only to the visual queues that make it easy for the audience to follow but to how much in control of all the intricacies its filmmaker had to be.
• Varya: Is there anyone on earth who doesn’t like Christopher Nolan’s films? Inception is one of his masterpieces. It’s a science fiction film released in 2010 and written by undoubtedly one of the greatest directors in Hollywood, Christopher Nolan, the creator of such stunning films as ‘Memento’, ‘The dark knight’, Prestige’ and ‘Interstellar’. the cast is impressive: the main roles are played by Leo DiCaprio, Ken Watanabe, Joseph Gordon-Levitt, Marion Cotillard, Ellen Page, Tom Hardy, Dileep Rao, Cillian Murphy, Tom Berenger, and Michael Caine. The film is based on the idea of lucid dreams. In the story, the professionals of industrial espionage, using special techniques to steal valuable secrets from the depths of the subconscious during sleep, when the human mind is most vulnerable, learn a new technique – the ‘inception’ of ideas into the human mind through his dream. The main character – Dom Cobb is a talented thief, his rare abilities made him a truly valuable player in the treacherous world of espionage, but they also turned him into a perennial fugitive and stripped him of everything he had ever loved. One day Cobb has a chance to correct mistakes. His latest case can bring everything back, but for that he needs to do the impossible – inception. There are so many good things about the film. The plot of the film is definitely mind-blowing. You won’t be able to take your eyes off the screen. The soundtrack is written by Hans Zimmer, who is certainly one of the most sought-after composers. I think all his music is incredibly touching, dramatic and powerful. There are also some iconic songs we all know. The work on the special effects is done flawlessly, evidently, a lot of money was spent on this. The acting is also wonderful, Leo DiCaprio, who was the first actor to accept the offer to play in the film, has done an amazing job. The only thing that viewers can find bad about this film is that it can be extremely difficult to perceive. If you don’t watch the film close enough you can simply get lost in all these jumping from dreams to reality. A curious fact is that Christopher Nolan released the film in 2010 but started working on it at the beginning of the 2000s! I would recommend everyone to see the film, even if you are not interested in sci-fi.
• Matthew Brady: Ariadne: “Why is it so important to dream?” Cobb: “Because, in my dreams we are together.” I haven’t seen this movie in years, but after re-watching it struck me hard how depressing this was. Putting aside the action sequences and loud music and a complicate plot, there’s a beautiful story about a man trying to get back to his children, without it being cheesy. Well if you really break this movie at it’s core, it’s about two grieving men (Leo and Murphy), both haunted by the past until they have the strength to accept reality and let them go. The ‘Grow Old Together’ scene stuck with me the most. You can say whatever you want about Christopher Nolan, but his movies are never hollow. I’m also convince that Nolan would be the perfect choice to direct a James Bond movie. Seriously, throughout the whole movie I was thinking “Man imagine the genius behind Inception directing a Bond movie”. The ingredients are right there.
• Adam Rife: This is actually a Perfect movie. It is the 2nd perfect movie I’ve seen and it is flawless in almost every way. Since perfection itself is an imaginary value like Infinity or paperhelp that when you add +1 to it, or make it better in any way, that adds to the imaginary state of infinity itself making it factually an imaginary number. There are only a few issues, such as a little too fast pacing, even though the film itself is about 2:17:00 long, and also I would have preferred them not show the helper on the train until After it was revealed to be a 2nd dream state. Also some bland emotional displays overall. Other than these small issues it is as perfect as a movie can be made. Totally Amazing film when you are in the mood for an action movie. WATCH TWICE, or more, as it would be nearly impossible to truly experience this film without seeing it 2 times in short breaks between viewings.
• Andre Gonzales: Crazy movie. I gotta watch a few more times I was confused. It would be sweet to build your own simulations though.
• Roomiqbal: Christopher Nolan’s “Inception” is a masterful blend of science fiction and psychological thriller, exploring the depths of the human subconscious. Leonardo DiCaprio delivers a compelling performance as Dom Cobb, a skilled thief who infiltrates dreams to steal secrets. The film’s intricate plot, stunning visuals, and Hans Zimmer’s powerful score create an immersive experience that challenges the boundaries of reality. Each layer of the dream world is meticulously crafted, leading to a mind-bending climax that leaves viewers questioning the nature of their own reality. “Inception” is a must-watch for those who appreciate complex storytelling and innovative cinema.
• Rohit Kabdwal:

  Inception: A Mind-Bending Masterpiece of Modern Cinema

  Christopher Nolan’s Visionary Dreamscape

  Christopher Nolan’s “Inception” (2010) stands as a testament to the power of original storytelling in modern cinema. This science fiction thriller takes viewers on a mesmerizing journey through the intricate landscapes of the human mind, exploring the nature of reality, dreams, and the subconscious. With its multi-layered narrative and stunning visual effects, “Inception” challenges audiences to question the very fabric of their perception, solidifying Nolan’s reputation as one of the most innovative filmmakers of our time.

  Plot and Concept: Dreams Within Dreams

  At its core, “Inception” follows Dom Cobb (Leonardo DiCaprio), a skilled extractor who can infiltrate people’s dreams to steal information. Cobb is offered a chance at redemption and a way back to his children through one last job: planting an idea in someone’s mind, a process known as inception. This seemingly impossible task involves creating a dream within a dream within a dream, pushing the boundaries of what’s possible in both the dream world and filmmaking itself. The intricate plot weaves together elements of heist movies, psychological thrillers, and mind-bending science fiction, creating a narrative tapestry that is as complex as it is captivating.

  Performances and Characters: A Dream Team

  DiCaprio delivers a powerful performance as the tormented Cobb, haunted by the memory of his wife Mal (Marion Cotillard). The supporting cast, including Joseph Gordon-Levitt, Ellen Page, Tom Hardy, and Cillian Murphy, bring depth and nuance to their roles, each contributing significantly to the film’s emotional core and intricate plot mechanics. Cotillard’s portrayal of Mal is particularly noteworthy, embodying both allure and danger as a projection of Cobb’s guilt-ridden subconscious. The ensemble cast’s chemistry and individual performances elevate the film, grounding its high-concept premise in genuine human emotion and conflict.

  Visual Spectacle and Technical Mastery

  Nolan’s vision is brought to life through stunning cinematography by Wally Pfister and groundbreaking visual effects. The film’s most iconic scenes, such as the folding Paris cityscape and the zero-gravity hotel fight, are not merely eye candy but integral parts of the narrative. These visually arresting moments serve to illustrate the malleable nature of the dream world while pushing the boundaries of what’s possible in cinema. Hans Zimmer’s score complements the visuals perfectly, adding layers of tension and emotion to every scene. The technical prowess displayed in “Inception” sets a new standard for blockbuster filmmaking, seamlessly blending practical effects with CGI to create a world that feels both fantastical and tangible.

  Legacy and Impact: A Dream That Lingers

  Since its release, “Inception” has sparked countless discussions and debates, particularly regarding its ambiguous ending. This open-ended conclusion invites viewers to question the nature of reality and the power of perception, leaving a lasting impact long after the credits roll. The film’s influence can be seen in subsequent movies that explore similar themes of reality versus illusion. “Inception” not only entertains but also challenges its audience, encouraging multiple viewings to fully grasp its complexity. It stands as a pinnacle of Nolan’s filmography, showcasing his ability to blend high-concept ideas with emotional depth and spectacular action. In the landscape of modern cinema, “Inception” remains a towering achievement, a dream from which many viewers may never want to wake.

📺 Where to Watch Inception?

🔹 Streaming on: https://www.warnerbros.com/movies/inception

💾 Available in: English,Français,日本語,Kiswahili

🌟 Final Verdict: Should You Watch Inception?

👉 If you enjoy Action,Science Fiction,Adventure , *Inception* is a must-watch.

👉 If you prefer deep storytelling, you might want to check out other options.

🔥 Our Rating: 3.5/5 – Watch for the action & visuals!

🏷 Tags: ,Action,Science Fiction,Adventure