🎬 The Shawshank Redemption (1994) – Full Details, Cast & IMDb Rating

📌 Category: Drama,Crime

⭐ IMDb Rating: 8.708 / 10 (from 28125 votes)

📅 Release Date: 1994-09-23

🎞 Status: Released

💰 Budget: $25000000

🗣 Available Languages: English

🌍 Country: United States of America

🗣 Original Language: en

🏢 Production Companies: Castle Rock Entertainment

🔗 IMDb URL: View on IMDb

🎥 Watch the Official Trailer

📖 Synopsis

Imprisoned in the 1940s for the double murder of his wife and her lover, upstanding banker Andy Dufresne begins a new life at the Shawshank prison, where he puts his accounting skills to work for an amoral warden. During his long stretch in prison, Dufresne comes to be admired by the other inmates — including an older prisoner named Red — for his integrity and unquenchable sense of hope.

🎭 Cast & Characters

Ellis Boyd ‘Red’ Redding: Morgan Freeman
Andy Dufresne: Tim Robbins
Warden Norton: Bob Gunton
Heywood: William Sadler
Captain Byron T. Hadley: Clancy Brown
Tommy: Gil Bellows
Brooks Hatlen: James Whitmore
Bogs Diamond: Mark Rolston
1946 D.A.: Jeffrey DeMunn
Skeet: Larry Brandenburg
Jigger: Neil Giuntoli
Floyd: Brian Libby
Snooze: David Proval
Ernie: Joseph Ragno
Guard Mert: Jude Ciccolella
Guard Trout: Paul McCrane
Andy Dufresne’s Wife: Renee Blaine
Glenn Quentin: Scott Mann
1946 Judge: John Horton
1947 Parole Hearings Man: Gordon Greene
Fresh Fish Con: Alfonso Freeman
Hungry Fish Con: Vincent Foster
New Fish Guard: John E. Summers
Fat Ass: Frank Medrano
Tyrell: Mack Miles
Laundry Bob: Alan R. Kessler
Laundry Truck Driver: Morgan Lund
Laundry Leonard: Cornell Wallace
Rooster: Gary Lee Davis
Pete: Neil Summers
Guard Youngblood: Ned Bellamy
Projectionist: Joe Pecoraro
Hole Guard: Harold E. Cope Jr.
Guard Dekins: Brian Delate
Guard Wiley: Don McManus
Moresby Batter: Donald Zinn
1954 Landlady: Dorothy Silver
1954 Food-Way Manager: Robert Haley
1954 Food-Way Woman: Dana Snyder
1957 Parole Hearings Man: John D. Craig
Ned Grimes: Ken Magee
Mail Caller: Eugene C. DePasquale
Elmo Blatch: Bill Bolender
Elderly Hole Guard: Ron Newell
Bullhorn Tower Guard: John R. Woodward
Man Missing Guard: Chuck Brauchler
Head Bull Haig: Dion Anderson
Bank Teller: Claire Slemmer
Bank Manager: James Kisicki
Bugle Editor: Rohn Thomas
1966 D.A.: Charlie Kearns
Duty Guard: Rob Reider
1967 Parole Hearings Man: Brian Brophy
1967 Food-Way Manager: Paul Kennedy
Con (uncredited): James Babson
Old Man on Bus (uncredited): Dennis Baker
Police Officer (uncredited): Fred Culbertson
Inmate (uncredited): Alonzo F. Jones
Inmate II (uncredited): Sergio Kato
Convict (uncredited): Gary A. Jones

🎬 Crew & Production Team

Editor: Richard Francis-Bruce
Conductor: Thomas Newman
Production Design: Terence Marsh
Casting: Deborah Aquila
Casting: Julie Lichter
Director of Photography: Roger Deakins
Producer: Niki Marvin
Executive in Charge of Finance: Kelley Baker
Director: Frank Darabont
Camera Department Production Assistant: Tim.L.armstutz
Costume Design: Elizabeth McBride
Unit Production Manager: David V. Lester
Executive Producer: Liz Glotzer
Set Decoration: Michael Seirton
ADR & Dubbing: Paul Zydel
Rigging Gaffer: Richie Ford
Makeup Artist: Monty Westmore
Assistant Editor: Robert C. Lusted
Visual Effects Producer: Melissa Taylor
Gaffer: Bill O’Leary
Assistant Director: John R. Woodward
Grip: Brian ‘Buzz’ Buzzelli
Assistant Director: Thomas Schellenberg
Art Direction: Peter Landsdown Smith
Production Supervisor: Sue Bea Montgomery
Location Manager: Kokayi Ampah
Stunt Coordinator: Jerry Gatlin
Hairstylist: Roy Bryson
Special Effects: Bob Williams
Stunts: Dick Hancock
Thanks: Stephen King
Makeup Artist: Kevin Haney
Additional Soundtrack: Tommy Morgan
Music Editor: Bill Bernstein
Assistant Art Director: Jack Evans
Best Boy Electric: Jeremy Knaster
Orchestrator: Thomas Pasatieri
First Assistant Camera: Robin Brown
Steadicam Operator: Gerrit Dangremond
Stunts: Daniel W. Barringer
Boom Operator: Marvin E. Lewis
Projection: Alan Jacques
ADR Supervisor: Petra Bach
Thanks: Dennis Baker
Art Department Assistant: Rhonda Yeater
Pilot: Robert ‘Bobby Z’ Zajonc
Script Supervisor: Sioux Richards
Rigging Grip: Rex Buckingham
Executive in Charge of Finance: Ramona Sánchez-Waggoner
Construction Foreman: Dixwell Stillman
Painter: Blair Gibeau
Loader: Hope A. Nielsen
Property Master: Tom Shaw Jr.
Still Photographer: Michael P. Weinstein
First Assistant Editor: Patricia A. Galvin
Production Sound Mixer: Willie D. Burton
Construction Coordinator: Sebastian Milito
Set Designer: Antoinette J. Gordon
Set Dressing Artist: Jack Hering
Craft Service: Brian Boggs
Key Grip: Don Cerrone
Production Office Coordinator: Beth Hickman
Transportation Captain: Fred Culbertson
Publicist: Ernie Malik
Video Assist Operator: Van Scarboro
Driver: Robert Conrad
Assistant Sound Editor: Lori Martino
Seamstress: Carol Buckler
Executive Music Producer: Dan Goldwasser
Picture Car Coordinator: Mario Simon
Scoring Mixer: Dennis Sands
Propmaker: Earl F. Betts
Transportation Coordinator: David Marder
Supervising Sound Editor: John Stacy
Standby Painter: Todd Hatfield
Electrician: Kurt Dale Hartman
Production Office Assistant: Saxon Eldridge
ADR Voice Casting: Tom Lent
In Memory Of: Allen Greene
Production Office Assistant: Amie Tschappat
Craft Service: Mark Moelter
Set Production Assistant: David McQuade
Craft Service: Don Speakman
Production Supervisor: Margaret J. Orlando
Production Office Assistant: Joe Schultz
Executive in Charge of Finance: Karin Mercurio
Driver: Scott Ruetenik
Script Supervisor: James Ellis Deakins
Actor’s Assistant: Tom Cotter
Assistant Director: Robert Barnett
Finance: Jane Estocin
Animal Wrangler: Therese Amadio
Driver: Chip Vincent
Driver: J.D. Thomas
Actor’s Assistant: Alfonso Freeman
Driver: Donald Snyder
Production Office Assistant: Michael Vasquez
Driver: David Turner
Actor’s Assistant: Sophia Xixis
Third Assistant Director: Jesse V. Johnson
Color Timer: David Orr
Sound Recordist: Jack Keller
Driver: David Smith
Key Hair Stylist: Philip Ivey
Stunts: A. Michael Lerner
Stunts: Mickey Guinn
Key Costumer: Kris Kearney
Foley Artist: Kevin Bartnof
Foley Mixer: Marilyn Graf
Key Costumer: Paul Wells
ADR Editor: Shelley Rae Hinton
ADR Recordist: Rick Canelli
Foley Recordist: Ron Grafton
Costumer: Donnie McFinely
ADR Mixer: Thomas J. O’Connell
Second Second Assistant Director: Michael Greenwood
Second Assistant Camera: Andy Harris
Production Assistant: David Leslie Johnson-McGoldrick
Colorist: Keith Shaw
Location Assistant: Chris Cozzi
Extras Casting Assistant: Linda Weaver
ADR Voice Casting: Barbara Harris
Wardrobe Supervisor: Taneia Lednicky
Stunt Double: Tom Morga
Dolly Grip: Bruce Hamme
Additional Second Assistant Camera: David Moenkhaus
Casting Assistant: Julie Weiss
Best Boy Grip: Keith Bunting
Wardrobe Assistant: Cookie Beard
Music Consultant: Arlene Fishbach
Sound Editor: Bruce Bell
Stunts: Ben Scott

📊 Audience Reviews & Popularity

🔥 Popularity Score: 47.5065

elshaarawy: very good movie 9.5/10 محمد الشعراوى
John Chard: Some birds aren’t meant to be caged. The Shawshank Redemption is written and directed by Frank Darabont. It is an adaptation of the Stephen King novella Rita Hayworth and Shawshank Redemption. Starring Tim Robbins and Morgan Freeman, the film portrays the story of Andy Dufresne (Robbins), a banker who is sentenced to two life sentences at Shawshank State Prison for apparently murdering his wife and her lover. Andy finds it tough going but finds solace in the friendship he forms with fellow inmate Ellis “Red” Redding (Freeman). While things start to pick up when the warden finds Andy a prison job more befitting his talents as a banker. However, the arrival of another inmate is going to vastly change things for all of them. There was no fanfare or bunting put out for the release of the film back in 94, with a title that didn’t give much inkling to anyone about what it was about, and with Columbia Pictures unsure how to market it, Shawshank Redemption barely registered at the box office. However, come Academy Award time the film received several nominations, and although it won none, it stirred up interest in the film for its home entertainment release. The rest, as they say, is history. For the film finally found an audience that saw the film propelled to almost mythical proportions as an endearing modern day classic. Something that has delighted its fans, whilst simultaneously baffling its detractors. One thing is for sure, though, is that which ever side of the Shawshank fence you sit on, the film continues to gather new fans and simply will never go away or loose that mythical status. It’s possibly the simplicity of it all that sends some haters of the film into cinematic spasms. The implausible plot and an apparent sentimental edge that makes a nonsense of prison life, are but two chief complaints from those that dislike the film with a passion. Yet when characters are this richly drawn, and so movingly performed, it strikes me as churlish to do down a human drama that’s dealing in hope, friendship and faith. The sentimental aspect is indeed there, but that acts as a counterpoint to the suffering, degradation and shattering of the soul involving our protagonist. Cosy prison life you say? No chance. The need for human connection is never more needed than during incarceration, surely? And given the quite terrific performances of Robbins (never better) & Freeman (sublimely making it easy), it’s the easiest thing in the world to warm to Andy and Red. Those in support aren’t faring too bad either. Bob Gunton is coiled spring smarm as Warden Norton, James Whitmore is heart achingly great as the “Birdman Of Shawshank,” Clancy Brown is menacing as antagonist Capt. Byron Hadley, William Sadler amusing as Heywood & Mark Rolston is impressively vile as Bogs Diamond. Then there’s Roger Deakins’ lush cinematography as the camera gracefully glides in and out of the prison offering almost ethereal hope to our characters (yes, they are ours). The music pings in conjunction with the emotional flow of the movie too. Thomas Newman’s score is mostly piano based, dovetailing neatly with Andy’s state of mind, while the excellently selected soundtrack ranges from the likes of Hank Williams to the gorgeous Le Nozze di Figaro by Mozart. If you love Shawshank then it’s a love that lasts a lifetime. Every viewing brings the same array of emotions – anger – revilement – happiness – sadness – inspiration and a warmth that can reduce the most hardened into misty eyed wonderment. Above all else, though, Shawshank offers hope – not just for characters in a movie – but for a better life and a better world for all of us. 10/10
tmdb73913433: Make way for the best film ever made people. **Make way.**
thommo_nz: There is a reason why this movie is at the top of any popular list your will find. Very strong performances from lead actors and a story line from the literary brilliance of Stephen King (and no, its not a horror). Sufficient drama and depth to keep you interested and occupied without stupefying your brain. It is the movie that has something for everyone.
Andrew Gentry: It’s still puzzling to me why this movie exactly continues to appear in every single best-movies-of-all-time chart. There’s a great story, perfect cast, and acting. It really moves me in times when I’m finding myself figuring out things with my annual tax routine reading this article, and accidentally catching myself wondering what my life should be if circumstances had changed so drastically. This movie worth a rewatch by all means, but yet, there’s no unique vibe or something – there are thousands of other ones as good as this one.
Matthew Dixon: I will not say that the film is predictable, because it is not quite so, due to the fact that we only know Andy’s intentions at the end, and during the film, it is important to understand that there was not a hint of it, but let’s not forget our guys who so imprudently localized it. I will not be the first, but the word ‘redemption’ is translated as ‘redemption’. I don’t know the reason why our localizers decided to spoil the impression to all Russian-speaking people.
JPV852: First time seeing this in probably close to 20 years, maybe longer. Forgot how excellent of a movie this was, amazing all around from the performances, Morgan Freeman and Tim Robbins especially, with a roller coaster of emotions. The writing (from Stephen King’s novel) direction from Frank Darabont was precise and just all around fantastic. This is the very rare 5 star movies I’ve given but it is easily one of the best movies, right up there in my book with The Godfather. **5.0/5**
LƛȤƛƦꪡƬƑ: No 1 movie for all the time
drystyx: This is much more predictable and Hollywood than a King novel. This story of another man wrongfully in prison for murder joins the list of about every other movie about a man sent to prison for murdering his wife. And therein lies the problem. Most of the time, the killer is the husband, and most of the time the right man is in prison. Juries are now doomed to consist of several people who are brainwashed by this constant propaganda Hollywood gives us and think accordingly. People are not gods. They are souls and spirits that can only withstand so much brainwashing. Add to that, the story plods along with really nothing new to add. It’s a very formula movie. I won’t say it is a “bad movie”. Those are ones I give 1 or 2 out of 10. But 3/10 is what I call the very boring, unimaginative, safe, non thought provoking movies that you forget about quite quickly.
Sanjeev0805: This movie is great
CinemaSerf: Tim Robbins is wealthy banker “Andy Dufresne” who finds himself sentenced to life imprisonment after his wife and her lover are found murdered. The handsome “new fish” is initially the target of the “sisters” who would use him as they would like – but he fights back and gradually establishes a friendship with prison “scrounger” Morgan Freeman (“Red”). When he overhears the beastly prison guard captain bemoaning some tax problems, he, rather riskily, volunteers to help find a tax-free solution and is soon advising pretty much the whole place – including “Warden Norton” (Bob Gunton) on all things financial – some above board, some less so. The film is set over a period of over ten years, and depicts some of the most brutal aspects of prison life; but also some it’s more hopeful. It deals with violence and desperation but also of bonding and lasting friendships and loyalties that long term close-confinement engender. Frank Darabont elicits the best from his three principals superbly, with added venom provided by guard captain Clancy Brown and humanity from prison librarian James Whitmore – one of the few who actually does make parole. The last half hour is up there with the best cinema has ever had to offer, and this – again on a big screen – is a must see adaptation of one of Stephen King’s lesser known, but better, stories that delivers a redemption never, quite, anticipated by the prison service!
dumasori: **Watched it 32 times** Call me obsessed, but I have watched this movie 32 times (and counting) over the past 2 decades. One may wonder why? It is because every time I watch this movie, I learn something new from it. For example, despite being such a good friend of Red, Andy never shares his plan with him. This taught me that discipline and focus is vital for success. I can not praise enough the tight plot, direction, acting and everything. On my favorite movies list, this one certainly tops the chart.
Angel Rodríguez: Amazing movie
khanz1: This movie is an absolute masterpiece, blending deep emotion and powerful storytelling. It follows the journey of a banker wrongfully imprisoned, whose enduring hope and resilience inspire everyone around him. His friendship with a fellow inmate is heartwarming and beautifully portrayed, capturing the essence of human connection. The film explores themes of redemption and the strength of the human spirit, leaving a lasting impact. With unforgettable performances and a story that resonates on so many levels, it’s a film that stays with you long after the credits roll. I can’t help but give it a 10/10.
Leezan: Simple, I would say, beauty in the art of cinematography and storytelling.
sachin_13: The Shawshank Redemption is a timeless masterpiece, blending powerful performances with a poignant narrative about hope and friendship. Tim Robbins and Morgan Freeman deliver unforgettable performances, creating a deeply emotional story of resilience and redemption. With its captivating plot and profound themes, it remains one of the greatest films ever made.
RalphRahal: The Shawshank Redemption is one of those timeless classics that pulls you in with its heartfelt storytelling and remarkable performances. At its core, it’s a story about hope, friendship, and the resilience of the human spirit, set against the bleak backdrop of Shawshank prison. Tim Robbins as Andy Dufresne and Morgan Freeman as Red deliver deeply moving performances, capturing the bond that grows between two men confined by walls but freed by hope. Every scene feels purposeful, and the script, adapted from Stephen King’s novella, is simply brilliant in how it weaves small moments into a powerful narrative. One of the most unforgettable parts of the movie is Brooks’ storyline. Watching him leave the world he knew, only to find himself unable to adapt to a society that had progressed beyond his comprehension, is heartbreaking every time. It’s a stark reminder of how institutionalization can strip people of their ability to live freely, even after they’ve served their time. That moment, along with Red’s own journey, adds a bittersweet layer of realism to the story’s broader themes of freedom and redemption. The direction by Frank Darabont is masterful, turning what could have been a straightforward prison drama into something deeply profound. The setting of Shawshank feels both oppressive and oddly serene, perfectly capturing the tone of the story. The simplicity of the plot is its strength, allowing the characters and their emotional arcs to take center stage. With its pitch-perfect pacing, poetic dialogue, and an uplifting finale, The Shawshank Redemption remains a film that resonates on every rewatch. It’s not just a movie; it’s an experience.

📺 Where to Watch The Shawshank Redemption?

🔹 Streaming on:

💾 Available in: English

🌟 Final Verdict: Should You Watch The Shawshank Redemption?

👉 If you enjoy Drama,Crime , *The Shawshank Redemption* is a must-watch.

👉 If you prefer deep storytelling, you might want to check out other options.

🔥 Our Rating: 3.5/5 – Watch for the action & visuals!

🏷 Tags: ,Drama,Crime

The Shawshank Redemption (1994)